Neither the directors of pornography nor the directors of hard-core art, from Warhol forward, document “real sex” in the sense of what people do alone, in private." As such, to describe the sex on a porn set as 'real' or 'unsimulated' is to focus on just one small element of the scene (here, penetration) and omits all other parts of the performance. For instance, while an actor's penis may enter an actress's vagina on a porn set, this does not mean that each of their actions, emotions, noises, and so on, are not performed in quite a different way to how they would have sex in the privacy of their own home: "it is both real-something that actually happens between people-and a fake, staged for the camera and sound equipment. The idea of 'simulation' also relates to questions about acting, unnecessarily denigrating pornography, and is too vague about what exactly is being simulated. The visibility of penetration/fellatio/cunnilingus on the screen is more important to the experience of watching the film, and often to the concerns of censors and critics, than exactly what took place on set. Moreover, there has been a huge blurring of the distinctions between the use of prostheses (in Trouble Every Day, Blue is the Warmest Colour, Battle in Heaven, Holiday), actual genital contact between actors ( Intimacy, Baise-moi, The Brown Bunny, 9 Songs) and genitals added in post-production ( Irreversible). In both cases, the actors did indeed perform sex acts on set, but they were only visible on the hardcore version and not on the softcore version. For instance, it was not uncommon for two versions of pornographic films to be released - a hardcore version subject to restrictions, and a softcore version passed at '18' level. This is also because most film censors have predominantly focussed on whether sex acts (penetration, fellatio, cunnilingus) or aroused genitals are visible when deciding whether a film should be classified as pornographic or able to be distributed on general release. Linda Williams, for instance, proposes that "we eliminate the awkward term unsimulated sex entirely". TerminologyĪlthough it is common to discuss films for which the actors had sex on set using terms such as 'real sex' or 'unsimulated sex', some film scholars tend to prefer talking about 'visible sex', 'explicit sex' or 'hard-core sex'. Some simulated sex scenes are sufficiently realistic that critics mistakenly believe that they are real, such as the cunnilingus scene in the 2006 film Red Road. From the end of the 1970s until the late 1990s it was rare to see hardcore scenes in mainstream cinema, but this changed with the success of Lars von Trier's The Idiots (1998), which heralded a wave of art-house films with explicit content, such as Romance (1999), Baise-moi (2000), Intimacy (2001), Vincent Gallo's The Brown Bunny (2003), and Michael Winterbottom's 9 Songs (2004). The last of these films, Agent 69 Jensen i Skyttens tegn, was made in 1978. Notable examples include two of the eight Bedside-films and the six Zodiac-films from the 1970s, all of which were produced in Denmark and had many pornographic sex scenes, but were nevertheless considered mainstream films, all having mainstream casts and crews, and premiering in mainstream cinemas. With movies such as Blue Movie by Andy Warhol, mainstream movies began pushing the boundaries of what was presented on screen. In the 1960s, social attitudes about sex began to shift, and sexually explicit films were decriminalized in many countries. Films showing explicit sexual activity were confined to privately distributed underground films, such as stag films or "porn loops". At one time in the United States, such scenes were restricted by law and self-imposed industry standards such as the Motion Picture Production Code. Although it is ubiquitous in films intended as pornographic, it is very uncommon in other films. In the film industry, unsimulated sex is the presentation of sex scenes in which actors genuinely perform the depicted sex acts, rather than simulating them. ( Learn how and when to remove this template message)
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